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Horse prints and horse wall art

Horse prints and horse wall art from eighteen original artworks in painted and drawn styles, each printed to order. Posters are on 250gsm archival paper from £15.99 for A4, and every artwork also comes on canvas, metal and wood and in a frame. They fall into four groups, so you can start with the kind of picture that suits the room and the person you are buying for.

The art

The Chestnut Mare

The Chestnut Mare

A chestnut horse with a long white blaze, head turned slightly to the right, against a warm ochre background, in an oil-painting style.

from £15.99

Dressage

Dressage

An elegant dressage horse and rider in collected extension as a clean silhouette, minimal mid-century graphic in charcoal and gold.

from £15.99

The Stable Yard

The Stable Yard

A cobbled yard at early morning, a horse looking over a half-door, hay nets and long shadows, gentle plein-air watercolour.

from £15.99

The Tack Room

The Tack Room

A warm still life of a worn saddle, hanging bridles and unmarked ribbons in soft lamplight, nostalgic oil in leather brown and brass.

from £15.99

Moorland Ponies

Moorland Ponies

A small herd of hardy ponies grazing among heather and granite under a big sky, atmospheric watercolour in heather and slate.

from £15.99

The Grey Hunter

The Grey Hunter

A characterful charcoal-and-graphite study of a dappled grey hunter's head, expressive smudged shading on toned paper.

from £15.99

Foal in Spring

Foal in Spring

A leggy foal standing close to its dam in a buttercup spring paddock, tender bright watercolour in green and buttercup.

from £15.99

Cross Country

Cross Country

A bold eventing horse and rider soaring over a solid log-and-brush fence, turf flying, dynamic watercolour in green and chestnut.

from £15.99

Morning Hack

Morning Hack

A relaxed hack down a misty tree-lined bridleway in low golden light, horse and rider in soft silhouette, warm oil in gold and olive.

from £15.99

The Farrier

The Farrier

A charcoal study of a farrier at a raised hind hoof, anvil and tools nearby, warm forge light with an ember glow.

from £15.99

Horses in Mist

Horses in Mist

Two horses standing quietly in a frost-touched field at dawn, breath clouding, delicate atmospheric watercolour in pearl and gold.

from £15.99

The Paddock Gate

The Paddock Gate

A five-bar gate with a friendly horse reaching over to greet you, summer pasture beyond, warm inviting watercolour in green and chestnut.

from £15.99

Showjumping

Showjumping

A showjumper and rider at the top of a powerful arc over a colourful fence, bold clean travel-poster style in navy, red and green.

from £15.99

The Loose Box

The Loose Box

A contented horse framed in its loose-box doorway, deep straw and a hay net against bright yard light, cosy oil in straw-gold and brown.

from £15.99

Two in the Field

Two in the Field

Two horses grazing companionably in a rolling summer field at golden hour, long shadows and oaks, warm painterly oil in gold and green.

from £15.99

Dawn Meet

Dawn Meet

A traditional country gathering of riders in soft silhouette on a frosty morning before a wooded estate, atmospheric watercolour in slate and gold.

from £15.99

The Shire Horse

The Shire Horse

A black Shire horse standing square in a summer meadow by a hawthorn hedge, white blaze and long white feather over the hooves, warm oil in coal black, meadow green and cream.

from £15.99

The Final Furlong

The Final Furlong

Three racehorses at full gallop on a turf course, a bay, a grey and a chestnut under plain yellow, blue and red silks, loose oil in green, chestnut and sky.

from £15.99

Portraits. Five studies of a single horse. The Chestnut Mare is a chestnut with a long white blaze, head turned against warm ochre, in an oil-painting style. The Grey Hunter is charcoal and graphite on toned paper, all smudged shading around a dappled grey head. The Loose Box frames a contented horse in its doorway with deep straw behind, in straw-gold oil. The Paddock Gate has a friendly horse reaching over a five-bar gate to greet you, in green and chestnut watercolour. The Shire Horse is a black Shire standing square in a summer meadow, white feather falling over its hooves, in an oil-painting style. These suit someone whose own horse shares that colouring, or anyone who likes a face on the wall.

Yard life. Three pictures of the everyday work around horses. The Stable Yard is a cobbled yard early in the morning, a horse looking out over a half-door, hay nets and long shadows. The Tack Room is a still life of a worn saddle and hanging bridles in lamplight. The Farrier is a charcoal study of a farrier holding up a hind hoof, with the anvil close by and the forge glowing. They fit a tack room, a boot room or the hallway by the back door, and The Farrier makes a kind thank-you for the person who shoes the horse.

A farrier rasping a bay horse’s hoof on a hoof stand in a stable yard.
For the person who shoes the horse.

Riding and sport. Six artworks with a rider aboard. The Final Furlong brings three racehorses towards you at full gallop on green turf, in loose oils. Cross Country clears a log-and-brush fence with the turf flying. Showjumping is drawn as a travel poster in navy, red and green, the horse at the top of its arc. Dressage is a clean mid-century silhouette in charcoal and gold. Morning Hack follows a horse and rider down a misty, tree-lined bridleway in low golden light, and Dawn Meet gathers riders in silhouette on a frosty morning in front of a wooded estate. These are the ones for an eventer, a showjumper, a racing fan or someone who rides out most mornings.

Landscapes. Four wider views where the horses belong to the country around them. Moorland Ponies graze among heather and granite under a big sky. Horses in Mist stand in a frosted field at dawn, their breath clouding in the cold. Two in the Field graze side by side in a rolling summer field at golden hour, and Foal in Spring stays close to its mother in a buttercup paddock. They suit a larger wall, where the space around the horses has room to breathe.

Posters run from A4 to 70x100 cm. Framed posters come in A3 and A2 with a black or natural wood frame, and framed canvases come in black, dark wood or natural wood up to 50x70 cm. Standard UK delivery is free. To have your own horse printed instead, see the portrait and photo prints.

Which size for which room

Where it hangsSize that worksFormats to look at
Hallway or landingA3, or 30x40 cmFramed poster, canvas
Above a sofa or a sideboard50x70 cm or 60x80 cmCanvas, framed canvas
Tack room or boot roomA4 or A3Poster, wood
KitchenA4, or a mug on the shelfPoster, metal, mug
A child’s bedroomA3Framed poster
Office or studyA3 or 40x50 cmFramed poster, metal
  • The Loose Box on a framed canvas, 40 x 50 cm with a black frame, drawn at its real size above a bed: a bay horse in its stable doorway with straw and a hay net.
    The Loose Box, framed canvas
  • Moorland Ponies on a metal print, 40 x 50 cm, drawn at its real size above a sideboard: ponies grazing among heather and granite under a stormy sky.
    Moorland Ponies, metal
  • The Stable Yard on a wood print, 30 x 40 cm, drawn at its real size above a sideboard: a chestnut horse over a green half-door in a cobbled yard.
    The Stable Yard, wood

Horse paintings on canvas

Fourteen of the eighteen are in a painted style. Seven look like oils: The Chestnut Mare, The Tack Room, Morning Hack, The Loose Box, Two in the Field, The Shire Horse and The Final Furlong. The other seven are watercolours, from The Stable Yard to Dawn Meet. On a stretched canvas they hang the way a painting does, and the sides carry a soft blur of the picture’s colours.

These are prints, not hand-painted originals. Each one is printed when you order it. Canvas comes in 30x40, 40x50, 50x70 and 60x80 cm. Framed canvas comes in 30x40, 40x50 and 50x70 cm, with a black, dark wood or natural wood frame. If you want a one-off painting by an artist, a gallery is the place to look.

The portrait

Turn a photo of your horse into a portrait: five styles to choose from, with up to three successful free watermarked previews per day after email verification.

See him on the paper first

Common questions

Are these photographs or paintings?

Neither. Each of the eighteen is an original artwork in a painting or drawing style (oil, charcoal and watercolour looks). It is not a photograph and it is not stock photography.

What is the best horse print for an equestrian gift?

The Chestnut Mare and The Grey Hunter suit riders with a horse of that colouring; The Stable Yard and The Tack Room work for anyone who loves yard life. For eventing and showjumping fans, Cross Country and Showjumping carry the most movement.

What are the equestrian wall art prints made of?

Posters are printed on 250gsm archival uncoated paper. Each artwork also comes as a framed poster (black or natural wood, A3 and A2), canvas, framed canvas, metal, wood, mug and water bottle; the artwork page lists each one.

Which size works best?

A3 suits a hallway or tack room wall, A2 works over a fireplace or sofa, and 50x70 cm or 70x100 cm makes a statement in a larger room. Each artwork page lists every available size and format.

Where should I hang a horse print?

Pick the size for the wall first: A3 for a hallway or tack room, A2 above a sofa or fireplace, 50x70 cm or 70x100 cm for a larger room. A framed poster or framed canvas is ready to hang; an unframed poster needs a frame or clips.

What horse wall art styles do you make?

The eighteen artworks range from a classical oil look (The Chestnut Mare) through a clean mid-century silhouette (Dressage) to charcoal (The Grey Hunter) and heather-and-granite moorland scenes (Moorland Ponies).

Can I get a horse print framed?

Yes. Framed posters come in black or natural wood in A3 and A2, and framed canvases are made to order. You choose the frame on the artwork page.

Can I have my own horse instead?

Yes. Your own horse can be printed as it is, or redrawn as a portrait from your photo, with a free watermarked preview. See horse portraits and photo prints.